The Bower: Traders of the Lost Artefact

 

We have plenty of pre-loved treasures

 

A Reuse Culture

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Re-Use and Repair

What the Bower does could be

described as life extension for

household items.The Bower actively

encourages a repair culture within

the community. In the past we have

done so through educating with skills

workshops, fostering artistic

opportunities, promoting re-use

craft, and seeking design ideas for

re-invention of waste items.

Nowadays we have consignees who

put to use their good craftsmanship

and turn something battered and

bruised to classic or chic.

Repair culture

For those of us at the Bower, re-use

is only one side of reducing waste.

Repair is its twin. Re-used items still

in the crappy condition in which they

were disposed are all too likely to be

returned to the waste stream soon.

But a repaired item, hinges working, wonky legs set straight and true, have extended lives

with their new custodians. The longer items stay out of the waste stream, the better.

But there is more to repair culture than this mending. For us, repair is an extended word,

meaning to restore, to renew, to renovate, and applies not only to the materiality of an

object, but abstract notions like strength and health.

In our grandparent's generation, manufactured items were used over and over again. Labour

was cheap, but resources were expensive. Waste dumps from their days were rather light

on re-usable items. And transformation was a natural expression....44-gallon drums became

rotund kitchen cupboards, kerosene tins seemed to be anything but kerosene tins (food

storage, chook nests, wall liners, cookers). The same applies today in many countries

labelled third-world economies.

Values

We look to their inventiveness as an inspiration for the revival of a repair culture, where to

throw something useful "away" was (and will be) morally culpable ("waste not, want not",

whatever its origin, is not a modern expression). But we have to recognise that our western

society, having broken out of earlier cycles of scarcity, has hardly had the time to culturally

adjust to the era of post-scarcity. The values of consumption rule in an economy that has,

across less than two generations, assembled the largest collection of non-durable, non-

repairable items outside of an official war munitions economy. And these items are intended

to last only for cycles of consumption. These can be limited by material obsolesence

(chipboard or melamine disintegration, nearly always irreparable), technological

obsolesence (analogue phones, x86 computers, and soon analogue TVs) or cultural

obsolesence (fashion, web consciousness, games processing needs, graphic sophistication).

Values of mass consumption are conspicuousness, fashion, convenience, replicability,

disposability, the pose of originality brought about by simply being the first to "own".

The only escape is to re-invest different values into the cycle of consumer production. It is

this reconfiguration of values that forms the core of "repair culture".

Intervening in the product life-cycle is one step...halting the conveyor belt to landfill of

the disposable and rethinking instead its final destination. This is re-use, part I: the

disposed item is redelivered to another consumer with values (or needs) that differ from

the disposer. A table becomes a desk, a family fridge becomes a second or "beer" fridge, or

the state-of-the-art finance computer becomes the kids email and homework machine.

Another intervention is that of "repair". One aspect of this is to restore to serviceability an

item that has been thrown out because it no longer works as it should (the chairleg is

broken, the turntable won't turn, the cupboard door won't open and close) Intervention

here is good for social values, as care must be applied to such items to maintain their life,

and care is a positive emotion to invest. Ultimately, repair must extend to the entire

ecosystem.

The other intervention crosses barriers relating to industrial mass production. "Repairing"

waste items by reconfiguring the meaning of their parts, turning circuit boards into

bookends or CD racks and pet food tins into handbags, a fridge into a food-smoker, a railway

trolley into a coffee table, bike cogs into a garden seat. When this intervention takes place,

the output is more of the nature of a handmade than industrial commodity. Rather than the

object transforming dramatically (the components often remain visible), what happens is

that different values are built in to objects by "repair". These values are to do with

usefulness and endurance, with skill and craftsmanship, with creativity and uniqueness,

subtlety, humour, pertinence, and with care and pride. There is no necessity for craft to

rely upon primary resources to manufacture, only upon resources that can be modified.

Relationships

When these values spread to and are taken up by sections of the community, interesting

things begin to happen. Labour becomes positive (many "repairers" spend hours almost

every day at "work", enjoying themselves), skip bins begin to fill with possibilities rather

than refuse, creativity emerges without art classes, fresh skills are sought out, as they

extend one's capabilities, originality emerges across the face of industrial mass consumption.

New relationships are made, where co-operation becomes the key to completing restorative

works, or where one person's project answers another's need uniquely. No-one from inside

the repair culture could morally avoid the responsibility towards an item facing disposal

that has "potential" to be re-used in some form. Such items are either kept for use, re-use,

re-invention, or, in the rational economy emerging, are placed in the system of re-use

centres like the Bower for distribution.

Now these changes will not end waste, nor will they make the major contribution towards

ending waste. But discussions of the waste reduction hierarchy has placed far too much

emphasis upon "Reduce" and "Recycling", which still leave intact relationships (and in the

case of recycling even the values) between production and mass consumption.

The ideas of re-use within a "repair culture" transform on so many levels. Consumption is

reduced because raw materials and commodities are replaced; recycling is encouraged

because responsibility is accepted for materials that pass through our custodianship; re-use

becomes an inventive game, full of possibility.

Shall we play?